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About the Project

I first became interested in this project when I decided to complete a field experience/internship focused on digital archives and metadata. I reached out to Kayo Denda, Head of the Margery Somers Foster Center and Librarian for Women's, Gender, and Sexuality Studies at the Mabel Smith Douglass Library. After our conversation, I decided to design my own practicum—combining my interest in digital archives, metadata, and programming with the skills I had developed in previous coursework. It was also important to me to focus on women's, gender, and sexuality studies, as these remain core interests of mine.

Reflecting on my background, I recalled my interest in Korean feminism and gender dynamics. I chose to focus on Korean Shamanic songs (muga) because my mother loved watching these performances, which gave me a personal connection to the subject. This project offered a meaningful opportunity to explore my own culture and historical heritage. Specifically, I focused on muga from the late Joseon Dynasty (17th–19th centuries), a period when Neo-Confucianism deeply reshaped society and traditional gender roles. I wanted to analyze how these societal shifts are reflected within the texts. I have shared more details about my project journey on the Margery Somers Foster Center website.

Gangneung Danoje Festival (강릉 단오제) held in Gangneung (강릉) in 2024
Gangneung Danoje Festival (강릉 단오제) held in Gangneung (강릉) in 2024 (Provided by mother, Kwon Chung Soon (권정순)))
Munyeo sinmu painting by Hyewon
Shamanic Dance (Munyeo Sinmu) by Shin Yun-bok, ca. after 1805. Kansong Art Museum, Seoul. Source: Wikimedia Commons..